What if irony and mockery were the ultimate forms of self-defence? It is through this choreographic strategy that the Repertório trilogy reaches its conclusion. Created in 2023 following the defeat of Jair Bolsonaro by Luiz Inácio Lula da Silva, this final chapter embraces insolence as a mode of resistance.

Still naked and without music, Davi Pontes and Wallace Ferreira move away from the martial directness of the earlier pieces towards a more playful, almost provocative energy. The looks they exchange, and those they cast towards the audience, overflow with pride and mischief. Their poses flirt with defiance, their gestures become winks to the crowd. With their hands, the dancers draw heart shapes addressed directly to the audience.

Yet beneath this lightness runs a sharp critique. By invoking the codes of social media and viral culture, Pontes and Ferreira question the ways queer and racialised bodies are viewed, exposed and consumed. Presented together for the first time, the three parts of Repertório form a work of rare intensity: a dance of survival, defiance and self-defence.